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Mariska Hargitay Won Two Emmys Days Before Hosting Them

Mariska Hargitay holding two Creative Arts Emmy statuettes for My Mom Jayne at the Peacock Theater in Los Angeles
Mariska Hargitay with her two Creative Arts Emmys for "My Mom Jayne" on Sept. 5, 2026, in Los Angeles.

Mariska Hargitay collected two Creative Arts Emmys on Saturday night for “My Mom Jayne,” the documentary she directed about her mother, Jayne Mansfield. She hosts the 78th Primetime Emmy Awards at the same venue in eight days. The Mariska Hargitay Emmy win also ends a two-decade gap since her last Primetime statuette.

Mariska Hargitay won two Creative Arts Emmys on Sept. 5, 2026, for “My Mom Jayne: A Film by Mariska Hargitay,” taking Outstanding Directing for a Documentary/Nonfiction Program and Outstanding Documentary or Nonfiction Special. She hosts the 78th Primetime Emmy Awards on Sept. 14 at the Peacock Theater in Los Angeles.

What Did Mariska Hargitay Win at the 2026 Creative Arts Emmys?

Hargitay took the directing prize for a documentary or nonfiction program, and the film took Outstanding Documentary or Nonfiction Special. Both awards went to “My Mom Jayne,” an HBO Documentary Films release produced under her own Mighty Entertainment banner.

The film examines the life of Mansfield, who died in a car crash in 1967 at age 34. Hargitay was three years old and in the car, along with two of her brothers. She spent much of her career distancing herself from her mother’s public image before turning the camera on it.

Her husband, Peter Hermann, joined her at the Peacock Theater. Backstage she posed with both trophies alongside her fellow producers.

“My hero and friend Gloria Steinem recently said, ‘Please tell your own story,'” Hargitay said from the stage. She added that she came to know her mother through the telling, and called it an indescribable gift.

A Twenty-Year Gap and an Oscar Snub

This is her first Primetime Emmy since 2006, when she won lead actress in a drama for “Law & Order: Special Victims Unit.” She has eight nominations for that role. It is also her first Emmy as a filmmaker, though she previously won a News and Documentary Emmy for “I Am Evidence” in 2017.

The wins close an awards run that started badly. “My Mom Jayne” premiered in Cannes Classics in May 2025 and won the Producers Guild documentary award in February. The Academy then left it off the Oscar documentary lineup, passing over a film that had beaten three of the eventual nominees.

The film’s third nomination did not convert. Tony Hardmon lost Outstanding Cinematography for a Nonfiction Program to “Ocean With David Attenborough.”

Who Else Won on Night One of the Creative Arts Emmys?

Night one covered 49 categories across documentary, reality, variety, game show and short-form programming. “The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny” led the evening with seven wins.

“The Traitors” followed with six, including a third consecutive host win for Alan Cumming. That result broke his tie with Jane Lynch and gave him sole possession of third place for wins in the category, behind Jeff Probst and RuPaul Charles.

“The Late Show With Stephen Colbert” took five in its final season. “The Muppet Show” won four, beating Taylor Swift’s “Eras Tour” special for Outstanding Variety Special (Pre-Recorded). “Love on the Spectrum” took three.

Other results included Jimmy Kimmel for game show host, “Jeopardy!” for Outstanding Game Show, “Mr. Scorsese” for documentary series, and Octavia Spencer’s first Emmy, for narrating “Lost Women of Alaska: The Missing.” The night’s biggest upset went to PBS, where “Antiques Roadshow” finally won on its 24th nomination, a drought stretching back to 2002.

Night two runs Sunday, Sept. 6, covering scripted and remaining technical categories. Across the weekend the Television Academy hands out 102 trophies. Neither night airs live. An edited single broadcast runs Saturday, Sept. 12, at 8 p.m. ET/PT on FXX, and streams on Hulu the following day.

When Are the 2026 Primetime Emmys and Who Is Hosting?

The 78th Primetime Emmy Awards air live Sunday, Sept. 14, at 8 p.m. ET on NBC, with streaming on Peacock. The ceremony returns to the Peacock Theater in downtown Los Angeles.

Hargitay hosts. NBCUniversal announced her in July, and she becomes the first solo female host of the Primetime Emmys since Jane Lynch in 2011. She is also a rare non-comedian in the job, which went to Nate Bargatze on CBS last year.

Her statement at the time tied the booking to the network’s centenary. Bringing important stories into the light, she said, has been the heartbeat of her career.

The timing gives her an unusual entrance. Few hosts walk onto that stage having won two awards in the same building nine days earlier.

Key Takeaways

  • Mariska Hargitay won two Creative Arts Emmys on Sept. 5, 2026, for directing and producing “My Mom Jayne.”
  • The wins are her first Primetime Emmys since 2006 and her first as a filmmaker.
  • She hosts the 78th Primetime Emmys on Sept. 14 at the Peacock Theater, live on NBC and Peacock.

Night two closes the Creative Arts weekend on Sunday, and the full winners list will grow before Friday’s FXX broadcast. For more awards-season coverage, see our reporting on the Dancing With the Stars season 35 cast and on Brad Pitt and George Clooney in Venice, follow our ongoing red carpet coverage, and learn more about Runway Magazine.

Pamela Anderson and Marina Abramović Headline amfAR Venezia

Pamela Anderson arriving at the amfAR Venezia 2026 gala at the Hilton Molino Stucky in Venice
amfAR Venezia returns to the Hilton Molino Stucky on Giudecca on Sept. 6, 2026.

Pamela Anderson and Marina Abramović take the two top honors at amfAR Venezia on Sunday night, the AIDS research foundation’s sixth annual gala in the city. Taika Waititi hosts. The black-tie evening lands on the busiest social night of the 83rd Venice International Film Festival, and amfAR Venice 2026 arrives with a new chief executive at the helm.

amfAR Venezia returns to the Hilton Molino Stucky on Giudecca on Sept. 6, 2026, for its sixth annual edition. Pamela Anderson receives the Award of Courage and Marina Abramović the Award of Inspiration. Taika Waititi hosts, Bebe Rexha headlines the musical entertainment, and Mimi Webb opens the evening.

Who Is Being Honored at amfAR Venezia 2026?

Anderson takes the Award of Courage. amfAR chief executive Kyle Clifford said the actress has consistently used her platform to raise awareness for a range of causes, and he called her willingness to fight for her beliefs an inspiration.

Abramović receives the Award of Inspiration. The Serbian conceptual and performance artist has spent five decades testing the limits of the body and endurance in her work, and she won the Golden Lion for Best Artist at the 1997 Venice Biennale. Clifford cited both her artistry and her long support of people living with HIV and AIDS.

The two join a run of recent amfAR Venezia honorees that includes Antonio Banderas, Richard Gere, Ava DuVernay, Ferzan Özpetek, Mohammed Al Turki and, most recently, Julian Schnabel.

The Performers and the Host

Waititi presides over the room. Rexha headlines the music, and Webb opens the night. Both singers perform inside a program that also carries a live auction of contemporary art and one-of-a-kind experiences.

Auction lots posted ahead of the gala include a digital avatar and private lunch with Abramović, Chopard haute joaillerie earrings, a stay from the Zanzibar Collection’s Baraza Resort and Spa, and works by Mauro Perucchetti and Mr. Brainwash.

Where and When Is the amfAR Gala During the Venice Film Festival?

The gala runs Sunday, Sept. 6, 2026, at the Hilton Molino Stucky Venice, the converted flour mill on Giudecca. The festival itself runs Sept. 2 through 12 on the Lido, so the amfAR crowd crosses the water for the night.

This is the sixth annual edition in Venice, and the first under Clifford, who was recently appointed amfAR’s chief executive. The foundation has raised more than $10 million across its Venice galas since the first one. Last year’s edition alone brought in over $3.4 million.

The World Gold Council is presenting sponsor. Chopard returns as signature sponsor, the Hilton Molino Stucky Venice serves as supporting sponsor, and Variety is media partner.

What Is Place to Be, Pamela Anderson’s Venice Film?

Anderson is not in Venice only for the ballroom. She appears in “Place to Be,” directed by Kornél Mundruczó, which sits in this year’s festival program. Ellen Burstyn and Waititi co-star.

Burstyn collects her own honor next week, when the festival gives her the Golden Lion for Lifetime Achievement. Artistic director Alberto Barbera credited her half-century of work in American cinema and the depth she has brought to female characters.

The film marks another step in a run of work that has reframed Anderson’s public image over the past few years. Her turn in “The Last Showgirl” drew awards attention, and she has increasingly stripped back the celebrity codes that defined her in the 1990s.

What to Expect on the amfAR Venice 2026 Carpet

Guests arrive at the Molino Stucky in black tie, which historically produces a heavier concentration of gowns and couture than the Lido premieres do. Chopard’s sponsorship also tends to put significant high jewelry on the carpet.

Venice 2026 has already leaned hard on archival fashion. Kendall Jenner opened her run in a Giorgio Armani gown from fall 1995, and Nicola Peltz Beckham took the Kinéo Rising Star Award on Saturday in couture reported as Balenciaga. Amal Clooney went the other direction in current-season Tom Ford by Haider Ackermann. Sunday night gives all three approaches another stage.

Key Takeaways

  • amfAR Venezia 2026 runs Sept. 6 at the Hilton Molino Stucky on Giudecca, the gala’s sixth annual Venice edition.
  • Pamela Anderson receives the Award of Courage; Marina Abramović receives the Award of Inspiration.
  • Taika Waititi hosts, Bebe Rexha headlines and Mimi Webb opens, under new amfAR CEO Kyle Clifford.

Runway Magazine will update this report with confirmed looks and the auction total once the evening closes. For more from the Lido, follow our red carpet coverage, and learn more about Runway Magazine.

Nicola Peltz Beckham Stunned in Balenciaga Couture at Venice

Nicola Peltz Beckham in a purple Balenciaga couture gown with Brooklyn Beckham at the 2026 Kinéo Awards red carpet in Venice
Nicola Peltz Beckham arrives at the 25th Kinéo Awards in Venice on Sept. 5, 2026. (EPA)

Nicola Peltz Beckham arrived at the 25th Kinéo Awards in Venice on Saturday evening in a purple one-shoulder gown, then collected the ceremony’s Rising Star Award. Her husband, Brooklyn Beckham, walked the carpet beside her in a black tuxedo. Within hours, the Nicola Peltz Venice dress had become one of the most searched looks of the festival’s opening week.

Nicola Peltz Beckham received the Rising Star Award at the 25th Kinéo Awards in Venice on Sept. 5, 2026, wearing a purple one-shoulder cutout gown reported as Balenciaga fall 2026 haute couture. The Kinéo jury honored her work in the indie drama “Prima,” in which she stars opposite Faye Dunaway.

Who Designed Nicola Peltz Beckham’s Purple Venice Gown?

Fashion outlets identified the gown as Balenciaga fall 2026 haute couture, designed by creative director Pierpaolo Piccioli. The house has not issued its own credit. Still, the details line up closely with that collection. Piccioli showed it on July 8 in the courtyard of the Cité Internationale Universitaire de Paris, and it was the 55th couture collection in Balenciaga’s history.

That show leaned hard into saturated color, hooded drape and sculpted volume. The Nicola Peltz Venice dress carries all three. The neckline falls to one shoulder and pulls into a soft hood at the back. Below the waist, the skirt balloons out. Cutouts break the line at either side of the torso.

A Reunion, Not a Debut

For anyone tracking the actress’s fashion history, the choice reads as a reunion. Piccioli dressed her at the 2021 Met Gala while he was still at Valentino. He then designed her custom Valentino Haute Couture wedding gown for her marriage to Brooklyn Beckham on April 9, 2022, in Palm Beach, Florida.

That gown took roughly a year to build. The process involved two trips to Rome and two American fittings, and stylist Leslie Fremar worked on it alongside the Valentino atelier. Piccioli later left Valentino and took over Balenciaga from Demna. Saturday therefore marked one of the first major red carpet moments linking his longtime client to his new house.

What Are the Kinéo Awards and How Do They Relate to the Venice Film Festival?

The Kinéo Award was founded in 2002 and is conceived and directed by Rosetta Sannelli, president of the Kinéo Cultural Association. Italy’s culture ministry supports the prize through its directorate general for cinema. This year’s edition marked its 25th anniversary.

Winners are chosen through a mix of public voting and a jury of critics and industry professionals. The ceremony took place Saturday at 5 p.m. at Casa del Cinema Giovani on the Venice Lido, followed by a private dinner at Ca’ Sagredo. It runs as a collateral event during the Venice International Film Festival, now in its 83rd edition and staged Sept. 2 to 12. The prize has no direct ties to the festival itself, though it has long held a place on the Lido calendar.

Dunaway opened the 2026 edition with a lifetime achievement award. Other honorees included Paul Thomas Anderson’s “One Battle After Another” for best international film, Spanish actor Miguel Ángel Silvestre, Turkish actor Alp Navruz, Mexican actress Oka Giner, Chiara Francini and Sara Lazzaro. Cecilia Miniucchi’s short “Dinner With Dante” took the Diamonds at Cinema award.

What Is Prima, the Film That Won Nicola Peltz Beckham the Rising Star Award?

“Prima” is an independent drama directed by Alessandro and Luca Morelli. Peltz Beckham plays a ballerina, and Dunaway co-stars. The two will appear on screen together for the first time in the film.

Kinéo cited her work as an actress, producer and filmmaker when it announced the honor in August. She previously directed and starred in “Lola,” and her earlier credits include “Bates Motel” and “Transformers: Age of Extinction.”

Visibly nervous at the podium, she called the recognition an immense honor. She praised Dunaway as an inspiration, then thanked her parents and her brothers Diesel and Brad. She also singled out her husband, telling the room that his belief in her was the reason she could reach for the stars at all.

Brooklyn Beckham watched from the audience. The evening arrived during his continuing public estrangement from his parents, David and Victoria Beckham, and his siblings Cruz, Romeo and Harper.

Why the Look Matters for Venice 2026

This year’s Lido carpets have leaned unusually hard on fashion history. Kendall Jenner opened her Venice run in a Giorgio Armani gown from fall 1995, while Amal Clooney countered with current-season Tom Ford by Haider Ackermann. Against that backdrop, a couture gown from a designer with a decade-long personal relationship to the wearer lands as a deliberate statement rather than a booking.

Key Takeaways

  • Nicola Peltz Beckham won the Rising Star Award at the 25th Kinéo Awards in Venice on Sept. 5, 2026.
  • Her purple one-shoulder gown is reported as Balenciaga fall 2026 haute couture by Pierpaolo Piccioli.
  • Piccioli also designed her 2021 Met Gala look and her custom Valentino wedding gown in April 2022.

The Kinéo ceremony closed with that private dinner at Ca’ Sagredo, and “Prima” has yet to announce a release date. For more red carpet coverage, see our celebrity style coverage, and learn more about Runway Magazine.

The 10 Most Anticipated Spring 2027 Runway Shows This Season

An empty white runway lined with seating before a Spring 2027 fashion week show begins in Paris
Spring 2027 fashion month runs September 10 to October 6, across New York, London, Milan and Paris, closing with 68 shows in Paris.

Fashion month opens in five days, and the industry arrives with rather fewer questions than a year ago. Most of the great creative-director shuffle has already happened, finally. The Spring 2027 runway shows are therefore the season where the new appointments stop introducing themselves and start being judged.

Spring 2027 fashion month runs from September 10 to October 6, 2026, across New York, London, Milan and Paris. New York opens on September 10 and London follows on September 17. Milan runs September 22 to 28, and Paris closes from September 28 to October 6. Paris alone carries 68 runway shows and 33 presentations.

What Is the Spring 2027 Fashion Week Schedule?

Four cities, twenty-seven days, one fixed order. The fashion week schedule 2026 closes with Paris, as it always does. New York Fashion Week September 2026 runs September 10 to 15. London Fashion Week 2026 follows from September 17 to 21.

Milan Fashion Week Spring 2027 takes September 22 to 28, opening with Vogue World Milano on the first day. Paris Fashion Week Spring 2027 closes the circuit from September 28 to October 6.

That sequence has held for decades, largely because it mirrors each city’s commercial role. New York sells, London experiments, Milan manufactures and, ultimately, Paris decides.

Key Takeaways

  • Fashion month runs September 10 to October 6, 2026, with Paris carrying 68 shows and 33 presentations.
  • Prada opens Milan at 2pm on September 22, moving from its historic Thursday afternoon slot.
  • Versace and Boss are both absent from the Milan calendar, with Pieter Mulier’s Versace debut now expected in 2027.

The 10 Most Anticipated Spring 2027 Runway Shows

Ten shows carry the season, and each falls into one of three categories. Debuts, second collections, and houses now under new ownership of their own history.

The table below sets out where each show sits, who is expected, and where the design language originally came from. Every house on it is working from a founder’s vocabulary rather than a blank page. Consequently it reads as much as a lineage map as a schedule.

The 10 Most Anticipated Spring 2027 Runway Shows: Dates and Designers
# Show City & Date Who to Expect What We Are Watching For
1 Prada Milan, Sept 22, 2:00pm Miuccia Prada and Raf Simons Opens Milan in a new slot and sets the Italian week's tone
2 Giorgio Armani Milan, Sept 22–28 Silvana Armani, womenswear lead First full Spring collection since the founder's death
3 Gucci Milan, Sept 22–28 Demna Second runway collection after a divisive debut
4 Moschino Milan, Sept 25 Loris Messina and Simone Rizzo, debut The season's clearest designer debut
5 Chanel Paris, Sept 28–Oct 6 Matthieu Blazy Whether year one was reinterpretation or rebuild
6 Dior Paris, Sept 28–Oct 6 Jonathan Anderson How much of the house silhouette survives his instincts
7 Louis Vuitton Paris, Oct 6, closes Nicolas Ghesquière Closing fashion month for the first time in seasons
8 Julie Kegels Paris, Sept 28–Oct 6 Julie Kegels First collection since winning the 2026 LVMH Prize
9 Alexander McQueen London, Sept 17–21 Seán McGirr The house returns to the city that made it
10 Diane von Furstenberg New York, Sept 10, opens Henry Zankov, debut Opens the season with a new artistic director

Milan Carries the Weight

Prada opens the week, and the slot change matters more than it sounds. Prada Spring 2027 therefore sets the tone for the entire Italian calendar. Miuccia Prada and Raf Simons move to 2pm on September 22, ahead of the entire calendar. The house has run on intellectual friction since 1913.

Giorgio Armani is, unavoidably, the emotional centre of the season. This is the first full Spring collection since the founder’s death last September. Silvana Armani now leads womenswear, after her couture debut in January. The unstructured jacket she inherits was invented in Milan in 1975. It remains the single most influential garment the city has produced.

Demna’s second Gucci runway collection follows a notably divisive first. The Florentine house was founded in 1921 on leather goods and equestrian hardware. Gucci Demna Spring 2027 has to reach past the Tom Ford era he referenced heavily in February.

Moschino meanwhile delivers the season’s clearest debut. Loris Messina and Simone Rizzo, formerly of Sunnei, show on September 25. The house was built in 1983 on Franco Moschino’s surrealist satire of fashion itself. Notably, few appointments have ever matched a designer duo to a house temperament this precisely.

Paris Decides, as Always

Chanel is still the appointment everyone books flights around. Matthieu Blazy has now had a full year. This collection establishes whether his Chanel is a reinterpretation or a rebuild. The house codes date to 1910 and rest on jersey, tweed and the removal of the corset.

Dior sits in a similar position under Jonathan Anderson, although the pressure is different. The Bar jacket and the 1947 New Look are the most codified silhouette in fashion. Anderson has spent several collections testing how much of it survives contact with his own instincts.

Louis Vuitton closes fashion month once again, having reclaimed the slot this season. Nicolas Ghesquière works from a house founded in 1854 on trunk-making. That tension between travel hardware and futurist tailoring has defined his entire tenure.

Julie Kegels, meanwhile, shows in Paris carrying something none of the others have. She won the LVMH Prize on Friday night, which makes this her first collection as the industry’s officially anointed newcomer. Her design language comes out of Antwerp’s Royal Academy of Fine Arts, the school that produced the Antwerp Six. Consequently she arrives in Paris with a lineage rather than a launch.

London and New York Set the Terms

Alexander McQueen returns to London, its birthplace, and the symbolism is already doing real work. The house was founded there in 1992, on Savile Row tailoring filtered through Central Saint Martins. Showing anywhere else was always a compromise.

Diane von Furstenberg opens the entire season on September 10, with Henry Zankov’s debut as artistic director. DVF was built in New York in 1974 on a single garment, the jersey wrap dress. Zankov arrives from knitwear with a reputation for colour rather than nostalgia.

Thom Browne then closes New York on home ground, having shown recent collections in Milan and San Francisco. Similarly, Tory Burch shows on September 10. Michael Kors, Proenza Schouler and Calvin Klein Collection follow on the 11th, with Khaite on the 12th.

Amal Clooney Silk Nails Are Fall’s Newest Manicure Trend

A short soft-square manicure in translucent pink with a high-gloss silk nails finish on black silk
The silk nails look Amal Clooney wore at the Venice Film Festival: short soft-square nails in translucent, high-gloss pink.

The most talked-about beauty detail on the Venice red carpet this week was a manicure you could almost miss. Amal Clooney silk nails are short, soft pink and extremely glossy. Elle has now given the look a name, and the name is doing most of the work.

Amal Clooney wore a set of high-shine, barely-there pink nails to the 83rd Venice International Film Festival on September 2. Elle has labelled the look silk nails, describing a manicure built on short length, sheer colour and a reflective finish. The look sits alongside a black Tom Ford by Haider Ackermann gown and Cartier diamonds and emeralds.

What Are Amal Clooney Silk Nails?

A short, soft-square manicure in translucent pink with an extremely high gloss. Amal Clooney silk nails are defined by the finish rather than by the colour. That is the whole formula, and the restraint is deliberate rather than accidental.

The colour is barely there. The shine is not. Consequently the nail reads as healthy rather than decorated, which is precisely the effect the trend is chasing.

Clooney is 48, and she has worn variations of this manicure for years. Her red-carpet beauty has been remarkably consistent across a decade of festival appearances, which gives the look credibility a one-off never earns. Notably, the look did not change for a red carpet. That is part of why it landed as a trend rather than as a styling choice.

Key Takeaways

  • Clooney wore the look at the Venice Film Festival on September 2, in short soft-square nails with a translucent pink finish.
  • Elle named the trend, defining it by three things: short length, sheer colour and a reflective high-shine top coat.
  • Manicurist Fran Burdett recommends a soft blush builder gel, finished with an extreme shine top coat.

Is It Actually a Silk Wrap?

Not necessarily, and this is where most coverage is blurring two different things. A silk wrap is a specific technique. A thin layer of silk fibre is laid over the natural nail plate, then sealed with resin or gel to strengthen it.

Silk nails, as Elle uses the term, describes a finish rather than a method. The name refers to how the nail looks, which is smooth, luminous and almost fabric-like under light.

Nobody has confirmed which technique Clooney actually has. Therefore anyone booking a silk wrap expecting this look may be solving a different problem. Silk wraps are about strength, and the trend is about surface.

That distinction matters at the salon. Ask for the finish, not the fibre. A good technician will understand the difference immediately, and the two services carry different prices and different removal processes.

How Do You Get the Look?

Builder gel, in the softest blush you can find. Fran Burdett of Luna and Wilde told Elle she would use a builder gel in a soft blush colour. [EXTERNAL LINK 1 — anchor: “told Elle she would use a builder gel”]

The finish is the non-negotiable part. Burdett recommends an extreme shine top coat. The entire glossy nude manicure depends on how much light the surface throws back.

Anyone working with regular polish has options too. OPI’s Infinite Shine in Bubble Bath, Essie’s Gel Couture in Sheer Fantasy and Manucurist’s Active Plump have all been cited. Each is a route into the natural pink nails look at home.

Similarly, preparation carries more weight here than colour does. A sheer finish hides nothing, so cuticle work and an even nail plate do most of the visual labour.

Why Short and Square Is the Fall Shape

Because length competes, and this look is designed not to. Clooney wore a short soft square, which is the shape currently defining the short nail trend across red carpets.

That shape does two things at once. It keeps the hand looking neat in close-up photography, and it reads as practical rather than performative.

Fall nails 2026 have moved decisively toward this register. The season’s alternative was always darker polish and heavier nail art. Even so, the sheer end of the spectrum has held its ground since spring.

Above all, short square nails photograph consistently. Long shapes cast shadows and catch light unevenly, while a short square surface behaves the same way under every flashbulb.

Who Else Is Wearing It

Most of the summer’s red carpets, as it turns out. Anne Hathaway, Pamela Anderson and Hailey Bieber have all worn versions of the same manicure over the past few months. [EXTERNAL LINK 2 — anchor: “versions of the same manicure”]

The Amal Clooney manicure is therefore a confirmation rather than a debut. What she added was the fall version, which is softer and pinker than the summer iterations were.

That evolution is worth watching. The trend has drifted from bright and glassy toward something quieter. It sits closer to the colour of skin than to the colour of polish.

Venice beauty has amplified all of it. The Lido carpet produces more close-range hand imagery than almost any other event on the calendar, largely because of how much jewellery moves through it. A festival red carpet delivers close-up hand photography in a way few events do, particularly during jewellery-heavy appearances.

Why Quiet Luxury Beauty Keeps Winning

Because it costs less to look expensive this way. Quiet luxury nails require no artistry, no extensions and no schedule beyond a fill. That puts the look within reach of almost anyone.

The contrast with the carpet around it is the point. Clooney paired the manicure with Cartier diamonds and emeralds and a sculptural silk taffeta gown. The nails were the cheapest thing in the frame.

That is the same logic driving the wider bare-face movement across celebrity beauty. Pamela Anderson turned no makeup into a public position, and the soft glam rebellion has been building all year.

Consequently the Amal Clooney silk nails moment fits a pattern rather than starting one. Restraint has become the most reliable way to signal confidence on a red carpet.

The commercial reading is simpler still. Every element of this manicure maps to a product category that already exists in every drugstore. That is why it spreads faster than a nail-art trend ever could.

What Comes Next

Salon requests, immediately and in volume. Nail technicians report that named celebrity trends convert into bookings within days rather than weeks, and this one arrived with a full instruction set attached. Named trends move bookings. This one now has a name, a celebrity, a shape and a technique attached to it.

Expect the shade range to shift over autumn. The current version is pink-toned, although the same finish works in soft beige and pale mauve. Those are the natural next steps as the season darkens.

The shape may hold longer than the shade. Short soft-square has been the dominant red-carpet silhouette for three seasons now, and nothing in the autumn forecasts suggests it is being replaced. Watch the rest of the Venice carpet too. The festival runs through September 12. Close-up beauty details tend to compound across a ten-day run rather than fade after one night.

The Amal Clooney silk nails look will outlast this festival, because it asks almost nothing of the person wearing it. For the manicures and beauty details that outlast a single red carpet, trust Runway Magazine.

Pharrell Adidas Watermoc Drops Today for $140 in Three Colourways

The Pharrell x adidas VIRGINIA Watermoc in blue, yellow and black with neoprene uppers on wet stone
The adidas Originals x Pharrell Williams VIRGINIA Watermoc releases globally on September 5 in Blue, Yellow and Black at $140.

Two major sneaker launches land on the same Saturday, at wildly different prices. One costs $358 and sells through five doors. The Pharrell Adidas Watermoc costs $140, arrives in three colourways and goes out globally.

Adidas Originals and Pharrell Williams release the VIRGINIA Watermoc worldwide on September 5, 2026. Three colourways arrive at $140 each, in unisex sizing, through the CONFIRMED app, adidas.com/pharrell and select retailers. The silhouette reworks an early-2000s adidas outdoor model as an everyday shoe.

When Does the Pharrell Adidas Watermoc Release?

Today, globally, with no staggered rollout. The VIRGINIA Watermoc release date is Saturday, September 5, 2026, and all three colourways drop together.

That simultaneity matters for buyers. There is no regional exclusive to chase and no separate window for the rarest pair. That removes most of the usual sneaker-release anxiety.

Key Takeaways

  • The VIRGINIA Watermoc launches globally on September 5, 2026 in Blue, Yellow and Black, at $140 per pair.
  • It is the third footwear silhouette in Pharrell’s VIRGINIA line, after the Adistar Jellyfish and the Flat Earther.
  • The design uses neoprene, mesh, reflective webbing and a rubber lug outsole.

How Much Is It and Where Can You Buy It?

The Watermoc price is $140 for every colourway, which is unusually restrained for a Pharrell adidas release. There is no premium pair and no tiered pricing across the pack. [EXTERNAL LINK 1 — anchor: “the confirmed launch details”]

Anyone asking where to buy Pharrell adidas footwear today has three routes. The adidas CONFIRMED app carries it, adidas.com/pharrell carries it, and select retailers worldwide carry it too.

Sizing runs unisex across the entire range, which is worth noting. Previous VIRGINIA footwear has not always done that, and it changes who can realistically buy the pack today. Consequently the pack sidesteps the men’s-only distribution that has limited several previous VIRGINIA drops.

Availability is still expected to be limited despite the global release. Adidas has not published quantities, and the CONFIRMED route usually indicates a controlled allocation rather than an open one. Similarly, colour-specific demand concentrates quickly on packs like this. The pair you want is the one to buy first.

What Are the Three Colourways?

Blue, Yellow and Black, each with its own style code. The Lucid Ray Blue Watermoc carries code LB2845. It pairs the brightest blue in the pack with silver metallic and Aurora Onix accents.

The Yellow pair is LB2842, running yellow against core black and metallic silver. It is the highest-visibility option of the three and the one that reads most like Pharrell’s usual colour instinct.

Core Black Watermoc pairs sit under LB2841, in core black with silver metallic. That is the quietest version. It should sell to buyers who want the silhouette rather than the statement.

All three share exactly the same build. No colourway carries a different material package, a different outsole or a different lacing system. Notably, the colour work is the only variable across the pack. That is a more disciplined approach than these packs usually take.

What Is the Watermoc Actually Built From?

Neoprene, mostly, and the material choice defines the shoe. A flexible neoprene U-throat gives it a sock-like fit. It pulls on rather than laces up in the conventional sense.

Mesh ventilation panels run through the upper for airflow. Reflective webbing threads across the design, which adds a technical accent and improves low-light visibility.

Bungee speed lacing handles adjustment, and a heavily textured rubber lug outsole handles traction. That outsole separates this from a slip-on. It commits the shoe to actual terrain rather than to boardwalk aesthetics. [EXTERNAL LINK 2 — anchor: “the full material breakdown”]

The reference point is the adidas Adventure Water Moc from the early 2000s, and nothing else. Pharrell has not reproduced it faithfully, though. Instead the archive silhouette has been reorganised around how people actually wear technical footwear now, which is casually and constantly.

Where Does It Sit in the VIRGINIA Line?

Third, and the most wearable so far. The VIRGINIA line opened with the Adistar Jellyfish, an exercise in exaggerated futurism, then moved to the low-profile Flat Earther.

The Watermoc completes a progression from spectacle to utility. Each release has stripped something away. This one arrives as the closest thing in the line to a shoe you would buy for its function.

VIRGINIA itself is named for Pharrell’s home state. The line has consistently pulled from adidas archives instead of inventing silhouettes from nothing. The Watermoc previewed during a VIRGINIA beach takeover in Marseille earlier this summer. That is a fitting debut for a shoe built around water.

Consequently the Pharrell adidas shoes 2026 output now covers three distinct registers. Futuristic, minimal and outdoor, with a single design language holding them together.

Why Pharrell Adidas Watermoc Is a Different Kind of Drop

Because the price is the argument. At $140, this sits below almost every fashion-house sneaker collaboration on shelves. It also sits far below the $358 Comme des Garçons Air Jordan 11 releasing the same day.

That gap is deliberate on both sides. One shoe is a limited fashion object routed through five doors. The other is a global product designed to be bought and worn. The Pharrell Adidas Watermoc belongs firmly in the second category.

Pharrell occupies an unusual position to run both plays. He is men’s creative director at Louis Vuitton, and he sat on the jury that awarded this year’s LVMH Prize on Friday night. His adidas work stays deliberately accessible regardless.

Above all, that split is the point. Luxury credibility at one end, a $140 global release at the other, with no apparent contradiction between them.

Adidas Is Running the Same Play Everywhere

The wider pattern is consistent. Simone Rocha’s adidas collection lands on September 10 at considerably higher prices. The Superstar Square Ballet arrived earlier this year through a pop-culture route entirely.

Adidas is therefore covering every price point in the fashion-sneaker market simultaneously. Pharrell handles the accessible end, Rocha handles the couture end, and the archive supplies both of them.

That strategy has been quietly effective. Notably, the brand has spent two years turning its outdoor and terrace archives into fashion product without diluting either. Nike has no equivalent spread at the moment, since its collaborative energy sits almost entirely at the premium end. Adidas, by contrast, is selling the same archive logic at $140 and at four figures, to two audiences that rarely overlap.

What Comes Next

Sell-through, and it will be colour-specific. Expect the blue pair to move fastest. It is the pack’s clearest image and the one that photographs best. The black pair will likely restock more readily, since it is the least distinctive of the three and the easiest to reorder.

CONFIRMED is the place to watch for that. Restock behaviour on VIRGINIA releases has been inconsistent, and no restock plan has been announced for the Watermoc.

Beyond today, the VIRGINIA line has a fourth silhouette question hanging over it. Pharrell has released roughly one new shape per season since the partnership began, so another is likely before the year ends. Three shoes now cover futurism, minimalism and utility, which leaves the next release with something genuinely new to say.

The Pharrell Adidas Watermoc is ultimately the least complicated release of the day, which is precisely its advantage. For the drops and prices that actually reach shelves, trust Runway Magazine.

Julie Kegels LVMH Prize 2026 Win: €400,000 and a Year of Mentorship

The Fondation Louis Vuitton in Paris at dusk, venue for the 2026 LVMH Prize award ceremony
Julie Kegels won the 2026 LVMH Prize for Young Fashion Designers at the Fondation Louis Vuitton in Paris on September 4.

Two years ago Julie Kegels was still a recent graduate with no label. On Friday night Jennifer Lawrence read her name out at the Fondation Louis Vuitton. The Julie Kegels LVMH Prize 2026 win arrives faster than almost any in the award’s history.

Belgian designer Julie Kegels won the 2026 LVMH Prize for Young Fashion Designers on Friday, September 4. The ceremony was held at the Fondation Louis Vuitton in Paris. The award carries a 400,000-euro endowment and a year of mentorship from LVMH teams. Zane Li of Lii took the Karl Lagerfeld Prize, and Anil Padia of Yoshita 1967 won the Savoir-Faire Prize.

Who Won the 2026 LVMH Prize?

Julie Kegels, and she is the first Belgian ever to do it. Jennifer Lawrence, a Dior ambassador, announced the result at the Fondation Louis Vuitton on Friday evening.

“I’m speechless,” Kegels said on stage, before thanking almost every member of her team by name. She is 27, and she launched the label only in 2024.

That makes her the thirteenth winner in the prize’s history, and the Julie Kegels LVMH Prize 2026 result is the fastest ascent in several editions. The LVMH Prize 2026 winner beat eight other finalists chosen from more than 2,400 applicants.

Key Takeaways

  • Julie Kegels won the 2026 LVMH Prize on September 4, taking 400,000 euros and a year of LVMH mentorship.
  • Zane Li of Lii took the Karl Lagerfeld Prize and Anil Padia of Yoshita 1967 the Savoir-Faire Prize, each worth 200,000 euros.
  • Kegels founded her label in 2024, straight after graduating from the Royal Academy of Fine Arts in Antwerp.

Who Is Julie Kegels?

An Antwerp graduate with a two-year-old label and a notably clear subject. The Julie Kegels designer signature is feminine identity, examined through clothes that look practical until you look closer.

Tailored suits often carry hidden shorts. Fabric combinations arrive from personal memory instead of from a trend board. The result reads as surreal without ever announcing itself as such, which is a difficult register to hold.

She graduated from the Royal Academy of Fine Arts in Antwerp, then started the label almost immediately afterwards. Consequently her entire commercial history fits inside two years.

That short history is already international. The label stocks across Europe, Asia and the United States, and Rosalía and Dua Lipa have both worn her designs. Notably, none of that existed three years ago.

Kegels also arrives from a school with a specific weight behind it. Antwerp produced the Antwerp Six, and Belgian design has since spent forty years defining a particular intellectual rigour. She is the first from that lineage to take this prize.

What Does the LVMH Prize Actually Give You?

Money and access, in that order of visibility, although not of importance. The LVMH Prize money is a 400,000-euro endowment for the main winner. A year of tailored mentorship from LVMH teams comes with it.

The mentorship, ultimately, is the part that changes companies. It covers production, distribution, marketing, financial management, sustainability and legal structure. All of it is drawn from the group that owns Louis Vuitton, Dior, Guerlain, Dom Pérignon and Sephora.

Similarly, the Karl Lagerfeld Prize and the Savoir-Faire Prize each carry 200,000 euros and a one-year mentorship. The prize also awards three fashion school graduates 10,000 euros each. Every one of them spends a year inside the design studio of an LVMH house.

Delphine Arnault founded the award, and its track record now supports the investment case. Grace Wales Bonner, Marine Serre, Nensi Dojaka, Satoshi Kuwata of Setchu and Ellen Hodakova Larsson have all won it. Each of them scaled significantly afterwards, and quickly.

Who Else Won at the Fondation Louis Vuitton?

Two designers, and both are worth watching independently. Priyanka Chopra Jonas presented the Karl Lagerfeld Prize 2026 to Zane Li of Lii.

Zane Li Lii is New York-based, born in Chongqing and already trained at FIT. His work merges sportswear construction with couture-level precision, and he also appeared on this year’s CFDA Vogue Fashion Fund shortlist. Two major shortlists in a single year is an unusual position for an emerging label.

The Savoir-Faire Prize went to Yoshita 1967 Anil Padia, the first Kenyan designer ever to reach the LVMH Prize final. That prize exists to recognise craft and technical development rather than commercial promise. It is therefore the most interesting of the three to fashion insiders.

Who Were the 2026 Finalists?

Nine labels from nine different countries. The LVMH Prize finalists 2026 list opened with Colleen Allen from the United States. De Pino by Gabriel Figueiredo represented France, Institution by Galib Gassanoff represented Georgia, and Kegels represented Belgium.

The rest of the shortlist covered Lii from China, Petra Fagerström from Sweden and Ponte by Harry Pontefract from the United Kingdom. The Vxlley by Daniel del Valle Fernandez came from Spain, and Yoshita 1967 from Kenya.

Delphine Arnault particularly noted the geographic spread when announcing the shortlist in April. Kenya appeared on the list for the first time in the prize’s history.

Semi-finalists showed at La Samaritaine in Paris on March 4 and 5. That is an LVMH-owned department store rather than a neutral venue. That staging alone tells you how seriously the group treats the pipeline.

Why This Year’s Prize Mattered

Because of exactly who sat on the jury. The 2026 panel included Jonathan Anderson of Dior, Sarah Burton of Givenchy and Maria Grazia Chiuri of Fendi. Nicolas Ghesquière and Pharrell Williams sat for Louis Vuitton, alongside Marc Jacobs, Stella McCartney and Phoebe Philo. Jack McCollough and Lazaro Hernandez represented Loewe, with Camille Miceli of Pucci, Nigo of Kenzo and Michael Rider of Celine.

Five of those were new to the jury this edition. McCollough, Hernandez, Miceli, Rider and Pietro Beccari all joined for the first time. That reflects how much creative leadership has changed hands in eighteen months, as Alaïa’s own transition showed last month.

That churn makes the prize more consequential, not less. Most of those designers are currently rebuilding a house. The Julie Kegels LVMH Prize 2026 vote is where they collectively pointed.

Above all, the award now functions as an industry signal rather than a grant. Winning it does not simply fund a business. It tells every buyer, editor and investor in the room which name to watch.

What Comes Next

Production comes first, always. The immediate use of 400,000 euros for a two-year-old label is scaling manufacture and stabilising delivery. That is where most young brands fail, rather than at the design stage.

Paris Fashion Week arrives at the end of this month. The Jennifer Lawrence LVMH Prize handover has already put Kegels in front of an audience she would otherwise have spent years reaching. Expect her name on more red carpets before the season ends.

Beyond that, the mentorship year determines everything. Previous winners who used it to fix operations instead of chasing visibility have generally lasted longer. Kegels has been given the rarest thing in emerging fashion. It is time, bought with someone else’s money, and it does not come around twice.

The Julie Kegels LVMH Prize 2026 win therefore buys the one thing no young label can generate for itself. It is the same leverage that turns a small house into a scaled one, whether through a prize, a mass-market collaboration or a sportswear partnership. For the designers and the prizes that turn careers on a single evening in Paris, trust Runway Magazine.

Denise Richards & Her Wild Things: Daughters, RHOBH, Beauty and Her Marvel Dream

Denise Richards with daughters in the RUNWAY Magazine Wild Things fashion editorial photographed by Kimberly Metz.
Denise Richards and family photographed for RUNWAY Magazine's Denise Richards & Her Wild Things editorial. Photo: Kimberly Metz / RUNWAY Magazine.

Denise Richards has spent decades moving between movies, scripted television and reality TV, but in this exclusive RUNWAY Magazine interview, the actress turns the focus toward family, resilience, beauty, fashion and what keeps her moving forward after years in Hollywood.

For the accompanying RUNWAY editorial, Richards made the experience a family affair, stepping in front of the camera with her daughters for a striking studio shoot photographed by Kimberly Metz at Flashaus Studios. The result captures another side of the actress and model: glamorous, candid and surrounded by the family that has become such an important part of her public life.

In the conversation, Richards reflects on the personal and professional highs and lows of a long entertainment career, her connection with fans and whether she would consider returning to The Real Housewives of Beverly Hills. She also shares the beauty and fitness habits she has maintained for years, from skincare and Pilates to the cardio and weight training she embraced while preparing for Special Forces.

Fashion comes naturally into the conversation. Richards reveals that beneath the red carpets and high-glamour shoots, she remains a jeans-and-T-shirt woman, names Mother Jeans and Skims among her favorites, and admits that her love of sparkle has survived whether or not the trend cycle agreed.

Family is at the center of the interview as Richards discusses working with her daughters and the reality project bringing them together on screen. And after a career spanning nearly every major entertainment genre, she still has another ambition on her list: a Marvel movie.

In this exclusive RUNWAY interview, Denise Richards talks family, fame, RHOBH, beauty, style, reality television and why continuing to work remains one of the accomplishments she values most.

Denise Richards wears a white Shari Henry dress in a RUNWAY Magazine fashion editorial photographed by Kimberly Metz.
Denise Richards wears Shari Henry with Claudio Merazzi shoes and Veronica Tharmalingam earrings for RUNWAY Magazine. Photo: Kimberly Metz / RUNWAY Magazine.

DENISE RICHARDS INTERVIEW

Denise you rocked the cover of “Runway” by including your daughters! We have never done this before and I believe this was a first for you too! Tell us about the experience!

I loved this photoshoot. The styling was fun, Kimberly the photographer is amazing & I got to shoot with my daughters.

You’re a beautifully accomplished woman. You’ve had an incredibly successful career and have such an amazing family. What do you want people to know about you today?

I have been in this business for a long time. I’ve had many ups & downs personally & professionally. I think I want people to know to keep on moving forward with a dream. I feel incredibly grateful to continue working & doing a job I love.

You have so many male and female fans- The extraordinary thing is, they seem to continue following your journey in life! Why do you think that is?

I actually don’t know. I recently have gone to a few Comic Con events & it’s been really humbling meeting fans there. To be able to meet in person & have that connection it means a lot to me. Without fans I wouldn’t have a job & I don’t take that for granted. I feel very blessed.

What did you learn about yourself and the other women by participating on The Real Housewives of Bev Hills… The question on the street is will you return?

I always say never say never. I have a lot of good memories being on the show. It’s fun doing the trips and to just have fun & be silly women acting much younger than we are. I’ll never forget a lot of moments I had doing the show. I also had some challenging times on it too. I think fame can change people & Some women are different on camera and off camera. But I would definitely be open to going back and spending time with all the ladies.

Your beauty has always been the focus for many. Is that hard to keep up with? Any valuable secrets you can share with us regarding your skincare and exercise regime?

I have always taken care of my skin since I was a teenager. I drink about two liters of water a day I think that helps, I exercise a lot. I have always done Pilates. I really got into cardio and weights when I signed on to do Special Forces. I had 3 weeks to prepare and I worked my butt off until I left. I hired an incredible trainer at a place called Pro Active and I still work out with him.

Is it true that lashes are a girl’s best friend?

I love lashes. I have a hard time with fake ones because of the glue! I am trying to find the perfect one … haven’t yet!

Love your nickname of “Fluffy Girl” can you share the origin?

I leave never had the nickname fluffy girl. I don’t know where that came from…

We know you have a fond love for fur and feathers, when did this start and is this still an extravagant part of the wardrobe?

I don’t wear real fur… only faux, and I have always loved sparkles! Even when they weren’t in style. I still loved a bit of sparkle.

What is the most flattering article of clothing you cannot live without?

I am a jeans and t-shirt girl. I love Mother Jeans every time I wear them my husband always notices my tush. And my favorite t-shirt right now is Skims. They’re so flattering.

We know you have been diligently working on a special project…Are you ready to share with our viewers the exciting news???

I’m doing a reality show with my family. I can’t wait for everyone to see it. It’s surreal thinking back to our first family reality show, Sami and Lola were 3&4 years old and now they’re 19&20 and I they have their sister Eloise she’s 13& I have a husband now. It’s a fun show with lots of exciting friends that show up and it’s coming out soon.

What has been your biggest and best accomplishment so far in the entertainment industry?

I feel my biggest accomplishment is I’m still working. I have filmed just about every genre there is. I’ve done movies, scripted tv shows & reality shows. I feel incredibly lucky that I continue to work & have a career.

Is there anything you would like to work with more so in the future?

I would love to do a Marvel movie!


EDITORIAL PRODUCTION CREDITS

Photographer: Kimberly Metz
Fashion Director/Stylist: Julia Perry
Makeup: Valerie Von Prisk
Hair: Giovanni Giuliano
Makeup/Hair Assistant: Gypsy Towles
Nails: Tracey Suiter
Photographed: November 21st, 2024
Location: Flashaus Studios

Read next: Beauty Trends Hub: Runway Makeup, Hair & Skincare from Fashion Week

Jay-Z Fugees Reunion London: Lauryn Hill and Wyclef Jean Surprised Tottenham

A packed London stadium lit by phone lights and fireworks during Jay-Z's JAY-Z30 anniversary concert
Jay-Z opened his two-night JAY-Z30 run in London on September 4 with a surprise Fugees reunion and a birthday tribute to Beyoncé.

Beyoncé did not sing a note in London on Friday. She did not need to, as it turned out. The crowd got Lauryn Hill and Wyclef Jean instead. It also got fireworks, a stadium singing Happy Birthday, and the first Jay-Z headline show in the United Kingdom in nearly 13 years.

Jay-Z opened his two-night JAY-Z30 run at Tottenham Hotspur Stadium on Friday, September 4, with a surprise Fugees reunion. Lauryn Hill and Wyclef Jean performed three of the group’s biggest songs. Jay-Z also paused the set to lead the sold-out crowd in Happy Birthday for Beyoncé. She watched from a suite on her 45th birthday.

Who Joined Jay-Z Onstage in London?

Five names, and none of them were announced beforehand. The Jay-Z Fugees reunion London booking was the one nobody had predicted. Lauryn Hill and Wyclef Jean delivered the Fugees reunion 2026 nobody expected on a Jay-Z bill. DJ Khaled appeared, and London rapper Giggs came out after Jay-Z had already shouted him out. Idris Elba opened the night with the spoken introduction from the 2007 album American Gangster.

That guest list also follows a pattern. The Jay-Z London concert continues a run that included three nights at Yankee Stadium in July. Nineteen different performers appeared across that stand, among them Beyoncé, Blue Ivy, Rihanna, Eminem, Nas, Alicia Keys, Pharrell and Usher.

Notably, the London booking was leaner and more pointed. Two legends, one local rapper and one actor, rather than a parade. Consequently each appearance landed harder than a parade of cameos would have.

What Did the Fugees Perform?

Three songs, all drawn from the same six-month window in the mid-nineties. Lauryn Hill Wyclef Jean sets are rare enough on their own. This one ran through Ready or Not, Killing Me Softly and Fu-Gee-La.

Each one of those comes from The Score. That 1996 record is still the last studio album the group ever made. That record turns 30 this year, precisely the anniversary Jay-Z is marking.

He said as much onstage, directly. Jay-Z told the crowd the Fugees had taken him on his first European tour. He then thanked Hill directly. “They took me out on my first European tour, opening up for them,” he said. The framing made the appearance a debt rather than a favour.

That detail is precisely why the booking works. Two acts came up together, marking the same three decades. Both found early European audiences in this city.

Did Beyoncé Perform on Her Birthday?

No. She watched from a private box, and she never went near the stage at any point. This is the detail most coverage is getting slightly wrong, so it is still worth stating plainly.

Jay-Z stopped the show and told the stadium she would not be performing. He then had a spotlight thrown onto her box. The whole crowd then sang Happy Birthday. Fireworks went up over the stadium. Beyoncé appeared on the big screens waving and blowing kisses, before he moved into Niggas in Paris.

The Beyoncé 45th birthday tribute therefore came from the audience rather than from a duet. She spent the evening dancing in the box. Reports say she also marked the day by releasing a twentieth-anniversary edition of her 2006 album B’Day.

Anyone searching for a Jay-Z Beyoncé birthday London performance will find a serenade rather than a set.

Why the JAY-Z30 Shows Matter

Because he has barely played this city in more than a decade. The Jay-Z Tottenham Hotspur Stadium run is his first solo UK headline appearance in nearly 13 years. His last was the Magna Carta World Tour at The O2 in 2013. He last performed in London at all in 2018, on the On the Run II tour with Beyoncé.

The occasion, ultimately, is the Jay-Z Reasonable Doubt anniversary. His debut album arrived on June 25, 1996, and the JAY-Z30 tour marks 30 years of it. The run also nods to The Blueprint, since that album turns 25 this month.

Opening the show, he told the crowd that London holds a particular significance in his career. The setlist backed that up. It moved through Dead Presidents, Hard Knock Life, Girls Girls Girls, 99 Problems, Run This Town, No Church in the Wild and Empire State of Mind.

Similarly, the anniversary framing gives the guest bookings a logic beyond spectacle. Hill and Wyclef are not merely a nostalgia act dropped into a stadium show. They are contemporaries of the album being celebrated, in the same way Madonna and Kylie Minogue finally recorded together after four decades of circling each other.

The Fugees Question Nobody Answered

Pras Michel, notably, was not there. The group’s third member has not appeared alongside Hill and Wyclef in years. Friday changed nothing about that.

This was a two-thirds reunion, exactly as the Coachella appearance in 2024 had been. Anyone hoping Friday signalled a full Fugees return still has no evidence for it.

What Comes Next

The second London show is tonight, Saturday, September 5, at the same stadium. Ticket holders now have a reason to expect something. Whether Friday’s guests return is unknown. Jay-Z has not repeated a guest list on this run so far, though.

Beyond that, the tour continues. The Yankee Stadium precedent suggests every remaining date carries the possibility of an unannounced legend. Above all, Friday proved the format still works at stadium scale, in a year when Miley Cyrus is also building an era out of the nineties.

The Jay-Z Fugees reunion London night will be remembered for two things at once. A group that stopped making records, and a wife who never took the microphone. For the reunions and anniversaries that get talked about for a decade, trust Runway Magazine.

Comme des Garçons Air Jordan 11 Drops Today for $358

The Comme des Garçons Homme Plus x Air Jordan 11 in tonal black and white with gloss patent finishes
The Comme des Garçons Homme Plus x Air Jordan 11 releases September 5 in tonal black and white at $358 through Dover Street Market.

The Air Jordan 11 has existed for 31 years without a single collaborator. That ends this morning. The Comme des Garçons Air Jordan 11 releases today, September 5, at $358. It is also the first time Jordan Brand has handed the silhouette to anyone.

Comme des Garçons Homme Plus and Jordan Brand release their Air Jordan 11 collaboration globally on Saturday, September 5, 2026. Two tonal colourways arrive, one black and one white, priced at $358 USD, £354 GBP and €370 EUR. Distribution runs through Dover Street Market, its global E-SHOPs and select Comme des Garçons stores.

When Does the Comme des Garçons Air Jordan 11 Release?

Today, Saturday, September 5, 2026, in both colourways at once. The CDG Jordan 11 release date was confirmed only two days ago. That is unusually short notice for a project of this profile.

That compression is deliberate. Comme des Garçons has never run its Nike releases like a sneaker launch. The announcement window here sat closer to a fashion drop than a Jordan Brand rollout. Consequently the pairs will move faster than a longer runway would have allowed.

Key Takeaways

  • The Homme Plus collaboration releases September 5, 2026 in black and white, at $358 per pair.
  • It is the first official collaboration on the model since Tinker Hatfield designed it in 1995.
  • Distribution is limited to Dover Street Market’s five stores, their E-SHOPs and select Comme des Garçons doors.

How Much Is It, and Where Can You Buy It?

The CDG Jordan 11 price is $358 in the United States. That converts to £354 in the United Kingdom and €370 across the eurozone. A standard Air Jordan 11 retro sits closer to $235, so this carries roughly a 1.5x premium.

That multiple is normal for the house. Comme des Garçons footwear collaborations have historically landed between 1.5 and 2.0 times standard retail. This one sits at the lower end of that range. [EXTERNAL LINK 1 — anchor: “the confirmed release details”]

Anyone asking where to buy CDG Jordan 11 pairs has a short list. Dover Street Market stocks them in London, Ginza, Los Angeles, New York and Paris, alongside each location’s global E-SHOP. Select Comme des Garçons stores carry them too.

Notably, there is no confirmed SNKRS release. Some sneaker outlets have reported an expected wider drop on September 10, yet neither brand has announced it. Treat that as unconfirmed.

Resale has already moved. One release tracker listed live pricing above $600 before the pairs reached shelves. That is a predictable outcome for a limited fashion-door launch.

What Did Comme des Garçons Change on the Air Jordan 11?

Materials, finish and almost nothing else, which is precisely the point. Rei Kawakubo’s house replaced the model’s ballistic nylon upper with full-grain leather, then lined it in leather as well. The patent mudguard survives untouched, since removing it would remove the shoe.

The most significant change sits underfoot. A gloss-finished midsole extends the patent sheen from the upper all the way down. The entire shoe therefore reads as one continuous polished surface. That single decision turns a basketball shoe into something closer to a dress shoe.

Comme des Garçons Jordan 11 black is the more formal of the two. The gloss adds depth rather than contrast. Comme des Garçons Jordan 11 white is sharper and more clinical. It throws the panel lines and the sculpted shape into relief.

The Details You Only See Up Close

Branding is debossed throughout rather than printed. The Jumpman sits pressed into the upper. Homme Plus lettering runs around the collar and the medial heel counter. Co-branding appears on the insoles. [EXTERNAL LINK 2 — anchor: “the full detail breakdown”]

The tongue tag is the connoisseur’s detail. The name is set there in the typeface used on the original Air Jordan XI. That is a quieter reference than most collaborators would attempt. Anyone tracking CDG Homme Plus Nike projects will recognise the restraint immediately.

Style codes are IV7639-001 for the black pair and IV7639-100 for the white, and both carry the same $358 retail.

Why This Is the First Air Jordan 11 Collaboration in 31 Years

Because Jordan Brand has always protected this model harder than any other. The model debuted in 1995 as Tinker Hatfield’s answer to one question. Could a basketball shoe look like eveningwear? Patent leather answered it immediately.

For three decades the silhouette existed only as retros, holiday releases and player exclusives. No outside designer had ever touched it. Until this year, the sneaker world assumed it would never happen.

The timing is not accidental. Jordan Brand has widened the AJ11 release calendar considerably over the past two years. It moved from a single Christmas drop to multiple appearances annually. That expansion made room for exactly this kind of experiment.

Kawakubo was therefore the logical first choice. She has spent years reworking Nike silhouettes without ever overwriting them. That is precisely the discipline a first attempt on a protected model requires.

What the Comme des Garçons Air Jordan 11 Means for the Category

It confirms that fashion houses now set the terms of these deals. The shoe first appeared during Paris Fashion Week in January. It walked the Homme Plus Autumn/Winter 2026 runway rather than arriving in a sneaker announcement.

That show was built around the statement about getting out of the black hole, soundtracked by Michel Polnareff. Tailoring coiled and doubled around the body throughout. Placing an Air Jordan beneath that is less of a clash than it sounds. Comme des Garçons has been collapsing the distance between formality and sportswear since Homme Plus launched in 1984.

The campaign reinforces the point. Paris-based photographer Goldie Williams Vericain shot it outside the Comme des Garçons flagship in Tokyo’s Aoyama district. The shoes appear with Autumn/Winter 2026 Homme Plus suiting rather than with anything athletic.

Similarly, the wider market has been moving this way all year. Simone Rocha’s Adidas collection lands in five days. Elie Saab and H&M arrive in October. Adidas, meanwhile, has been feeding the fashion-sneaker crossover steadily. A Jordan 11 in a fashion house’s hands is the most protected version of that trade yet.

Distribution Is the Real Statement

Five Dover Street Market doors is simply not a Jordan Brand distribution plan. It is a fashion one, and it tells you who this shoe is for.

Jordan Brand could have run this through SNKRS to millions of accounts. Instead the first pairs move through the same doors that sell Kawakubo’s tailoring. That framing makes the shoe a fashion object rather than a sneaker release. That framing is worth more to both parties than volume would have been, much as it was when Nike put Travis Scott on a tennis court last week.

What Comes Next

Watch the September 10 question first, because it changes everything downstream. If a wider release does materialise, the resale premium compresses quickly and the shoe becomes a different proposition. If it does not, today’s five doors are the entire supply.

Beyond that, the precedent matters more than the pair. Jordan Brand has now proved it will open its most protected model to an outside partner. The queue of houses that would like the next slot is not short. The Dover Street Market Jordan 11 launch is therefore a test case as much as a product.

Expect the black pair to sell through first. The white should become the harder pair to find in six months, since white leather ages visibly and fewer buyers will wear it. That is usually how tonal packs resolve over time.

Ultimately the Comme des Garçons Air Jordan 11 is a small number of pairs with an outsized consequence. For the collaborations that actually reach shelves, and the prices they land at, trust Runway Magazine.

Carlos Alcaraz Covered Up His Viral US Open Tank Top

Carlos Alcaraz serving in his brown Cactus Jack tank top with a white undershirt at the 2026 US Open
Carlos Alcaraz added a white undershirt beneath his Travis Scott x Nike tank top for his third-round win at the 2026 US Open.

A garment that will not stay in place is a design problem rather than a scandal. Carlos Alcaraz therefore solved his on Friday, with a white undershirt. The Carlos Alcaraz US Open tank top that spent a week going viral is still on his back. It is simply no longer working alone.

Carlos Alcaraz added a white undershirt beneath his Travis Scott x Nike tank top for his third-round match at the 2026 US Open. The loose Cactus Jack tank had shifted repeatedly during earlier rounds. Viral clips followed, and so did a public nudge from Genie Bouchard. Alcaraz beat Wu Yibing 6-3, 6-4, 6-1 and said the layer was his own decision, not Nike’s.

What Happened to the Carlos Alcaraz US Open Tank Top?

It simply moved, repeatedly. The brown mesh tank is cut like a basketball jersey. Deep armholes, no compression through the chest, so it shifted every time he loaded up a forehand. Clips from his first-round win over Roman Safiullin then spread within hours. Even the tournament’s own account posted one of them.

Bouchard, the former world No. 5, made the joke everyone else was circling. She posted that she loves him but the nip had to go away. By Friday it had, and she posted again to say he had listened.

Key Takeaways

  • Alcaraz wore a white undershirt under his brown Cactus Jack tank for the September 4 third round.
  • He confirmed the change was his own call, not a Nike request, and intends to keep the layer.
  • The Travis Scott Nike kit comes from the Cactus Court collection, worn with a shoe releasing in fall 2026.

What Did Alcaraz Say About the Change?

He answered it in one line, then moved on. A reporter asked why the outfit had changed. Alcaraz laughed and said he had seen his nipple too much lately. He added that he felt comfortable in the extra shirt, and that he now plans to stay that way.

The follow-up question, though, mattered more for the brand. A reporter asked whether Nike had requested the adjustment. “No, it was my decision,” Alcaraz said, adding that he would not have minded playing in the original setup again.

That distinction is the whole story. The Carlos Alcaraz undershirt was a player fix, applied inside a sponsored kit, without the sponsor stepping in. Consequently Nike avoids a recall narrative and Alcaraz keeps control of his own appearance.

Was It Actually Distracting?

Slightly, by his own account. He said the second round had been a little distracting, though not badly so. He has still not dropped a set at this tournament. That detail undercuts most of the noise around the garment.

Notably, he is doing this on a comeback. Alcaraz returned to singles here after 139 days out with a right wrist injury. He is also defending the title he won last year. A clothing story is not the pressure he came to New York for.

What Is the Travis Scott x Nike Kit?

Cactus Court, and it is arguably the most aggressive tennis kit Nike has produced. The Alcaraz Nike tank top sits in a brown and white gradient mesh. Brown shorts trimmed in thick white banding complete it. He walks on in a loose dark brown button-up with white shoulder and collar detailing. [EXTERNAL LINK 1 — anchor: “the full Cactus Court breakdown”]

Every piece also carries Travis Scott’s reversed Swoosh rather than the standard mark. That is a deliberate design decision rather than a production error. It runs across the socks, the headband and the compression sleeve on his right arm.

The Shoes Are the Commercial Engine

He plays in the Travis Scott x Nike Zoom Vapor 12 Tennis HC. The colourway is Pale Ivory and Cacao, with the reversed Swoosh at the sidewall. Inside each tongue sits the Spanish line Haz magia Carlitos, meaning do your magic, Carlitos.

The shoe releases in fall 2026. Every viral clip of the tank has therefore been free advertising for a sneaker that is not yet on sale. This is the same mechanic that made the Cactus Jack Nike tennis project worth doing in the first place, and Runway covered the shoes when he first wore them.

Scott himself sat in the stands for the first-round match. The collaboration launched with an ad in which he narrates Alcaraz’s return. The Carlos Alcaraz wardrobe malfunction was not in the plan, yet it delivered reach no campaign budget buys.

Why This Is a Fashion Story, Not a Gossip One

Because the garment failed at its job. The fix, notably, was a styling decision rather than an equipment one. Basketball-derived cuts are having a moment across sportswear, and tennis has adopted the silhouette faster than most. Deep armholes particularly read well on camera. They do not always behave during a service motion.

Alcaraz has worn sleeveless tops at this tournament before. He once said he was thinking of Rafael Nadal when he chose them. Similarly, the purple version he wore in mixed doubles with Serena Williams last week caused no issue at all. The difference is cut and fit rather than concept. [EXTERNAL LINK 2 — anchor: “Bouchard’s original post”]

Athletes are now dressed like they are arriving at a premiere. That raises the stakes on garments which still have to perform. Naomi Osaka has already turned her tunnel walk into a designer showcase this fortnight. Travis Kelce fronted a Tommy Hilfiger campaign days ago. The line between kit and costume keeps thinning.

What the Alcaraz US Open Outfit 2026 Run Tells Us

It tells us the athlete now edits the brand, rather than the other way around. Alcaraz did not ask Nike for a redesign, and he did not switch kits either. He added a base layer and kept the collaboration intact, which protects the commercial partnership while solving his problem.

That is a more sophisticated response than either abandoning the piece or enduring it. A kit change mid-Slam would have read as a failure for everyone involved. A base layer reads as a fix. Above all, it shows an athlete comfortable making a public styling call mid-tournament, on camera, without waiting for permission.

The Carlos Alcaraz US Open tank top will be remembered for both things at once. Design ambition, then correction. Few kits generate a week of conversation. Fewer still survive it unchanged.

What Comes Next

The fourth round arrives next, and probably the same two layers with it. Alcaraz said he intends to keep the undershirt, so the look is now settled for the rest of his run. Any further change would be news in itself, which is not a sentence anyone expected to write about an undershirt. He faces the fourth round having dropped nothing, and the clothing conversation has already outlasted two opponents.

The shoe still has to land this autumn. Meanwhile the Carlos Alcaraz Wu Yibing match gave it a cleaner image than the previous two rounds did. Expect Nike to lean on the fixed version instead of the viral one.

There is a broader lesson for kit designers in it. A silhouette borrowed from another sport carries that sport’s fit assumptions with it. Tennis, meanwhile, asks more of a chest panel than basketball does. The Carlos Alcaraz US Open tank top is now the reference case. For the kits and collaborations that define how athletes dress, trust Runway Magazine.